The Outsiders
Winner of four Tony Awards, including Best Musical
Tulsa, 1967: Greaser Ponyboy Curtis and his brothers are caught in a deadly feud with the rich Socs. A Best Musical Tony winner from S. E. Hinton's novel, staged with dirt, fire and real rain.
Quick take
- Musical
- 2h 25m · 1 intermission
- Bernard B. Jacobs Theatre
- Ages 10+
- Opened 2024
- Winner of 4 Tony Awards in 2024, including Best Musical
- Based on the 1967 novel The Outsiders by S. E. Hinton and the 1983 film adaptation directed by Francis Ford Coppola
- 8 performances a week, dark on Mondays
The Outsiders showtimes
All times Eastern. Schedule last checked Nov 7
- 3:00 PMMatineeTomorrow
- 7:00 PMEvening
- 2:00 PMMatinee
- 1:00 PMMatinee
- 7:00 PMEvening
- 7:00 PMEvening
- 2:00 PMMatinee
- 3:00 PMMatinee
Our guide to The Outsiders
On this page 10 sections
What it is
The Outsiders is a new musical adapted from S. E. Hinton's 1967 novel and from the 1983 film Francis Ford Coppola made of it. The setting is Tulsa, Oklahoma, in 1967. Ponyboy Curtis, a bookish 14-year-old, runs with the Greasers, working-class boys from the east side of town, whose rivals are the Socs, the rich kids from the west side. When a clash between the gangs turns deadly, Ponyboy has to work out what he owes his friends, his brothers and himself.
The songs are by the folk and Americana duo Jamestown Revival, Jonathan Clay and Zach Chance, together with Justin Levine. The book is by the playwright Adam Rapp with Levine, and Danya Taymor directed. After a world premiere at La Jolla Playhouse in San Diego in 2023, the show opened on Broadway at the Bernard B. Jacobs Theatre on April 11, 2024, and won four Tony Awards, including Best Musical. Expect a dirt floor, real fire and smoke, and rain falling onstage.
The story
Ponyboy tells the story as he writes it down in a notebook. His parents have died. Darrel, called Darry, the oldest brother, was a football star who once had a way out of Tulsa; now he is raising his brothers, and the job does not come easily. Sodapop, the middle brother, still nursing a broken heart, keeps the peace between the other two. Ponyboy is reading Great Expectations and keeps finding his own family in it.
The gang is a second family. Johnny Cade, Ponyboy's best friend, comes from a violent home and was beaten up by Socs not long ago. Dally Winston, the hardest of the Greasers and fresh out of county lockup, looks out for Johnny and hands him his switchblade. After Bob Sheldon and his Socs jump Ponyboy and try to cut off his hair, Dally declares the kid a true Greaser, to Darrel's dismay.
At the drive-in, Ponyboy discovers he has a lot in common with Cherry Valance, a Soc who is Bob's girlfriend. He gets home past curfew, Darrel hits him, and he runs off with Johnny. When the Socs catch the two boys in the park and try to drown Ponyboy, Johnny stabs Bob to save him, and Bob dies. Dally gives them some money and sends them to hide in an abandoned church outside town.
In the second act, the police and the Socs are both hunting for them. Ponyboy cuts and bleaches his hair, and Paul Holden, a Soc who was once Darrel's best friend, calls for a rumble. At the church, Ponyboy recites a Robert Frost poem to Johnny at sunrise, one that echoes through the whole show. Back in Tulsa, Darrel and Dally argue over which of them is failing Ponyboy. Just as Johnny decides to turn himself in, the church catches fire. The boys pull trapped children out and become local heroes, but Johnny is badly hurt. Cherry clears them with the police and begs Ponyboy to stay out of the fight. All three Curtis brothers go to the rumble anyway.
The music
Clay and Chance have been friends since childhood in Magnolia, Texas, and Jamestown Revival is based in Austin. Their albums, including the 2014 debut Utah, San Isabel and Young Man, set close harmonies over a mix of Western rock, Americana and Southern country. Levine describes the score as Americana that reaches into soul, rock and roll, country, blues, gospel and bluegrass. He orchestrated it with music director Matt Hinkley, and the band's sound is kept analog. There are 19 numbers, nine in the first act and 10 in the second. A few to know:
- "Tulsa '67" opens the show, with Ponyboy, Johnny and the company laying out the town and its divide; it returns as the finale.
- "Grease Got a Hold" is the gang's anthem, led by Dally, Sodapop, Two-Bit and Darrel.
- "Runs in the Family" belongs to Darrel, the brother carrying the household.
- "I Could Talk to You All Night" is a duet for Cherry and Ponyboy that follows the drive-in scene.
- "Run Run Brother" closes the first act as Dally sends the boys into hiding.
- "Soda's Letter" brings all three brothers into one song while Ponyboy is away.
The production
Taymor built the production around the elements. The set works like Ponyboy's memory, assembled from drive-ins, parks, lawns and junkyards. Planks, tires, scrap, playground climbing bars and a car for each gang sit on the dirt, and the ensemble shifts cinder blocks and boards to move from place to place. Behind it stands a wall shaped like the back of an outdoor movie screen. Solid at first, it gradually opens to more and more sky, and after the fire a church window appears in it.
The lighting sticks to incandescent bulbs, daylight and the headlights and taillights of period cars, and saves gold light for the drive-in, the church and the very end. Projections show Ponyboy's dreams and memories. Each character wears one costume all night, the way Ponyboy remembers them. The sound comes through a spatial audio system with five speaker arrays spread across the proscenium.
The rumble is fought in onstage rain on dirt that turns to mud. It starts as a realistic brawl and gives way to stylized, expressive movement, and the company trained in martial arts and Viewpoints movement work to prepare. With rain, fire, smoke and stage blood in play, a licensed pyrotechnician is backstage at every performance. Onstage the Greasers are a racially diverse group, which they were not in the novel or the film, while the Socs are white; Hinton backed the choice when the team asked her.
History
Hinton began the novel at 15 and was 18 when Viking Press published it in 1967. She used her initials so that male reviewers would not dismiss the book because its author was a woman. Coppola's film, released by Warner Bros. on March 25, 1983, had a cast that included Tom Cruise, Rob Lowe, Matt Dillon and Patrick Swayze. Christopher Sergel's 1990 play was the first stage version; the musical is the second.
A 2020 run at the Goodman Theatre in Chicago, announced in 2019, was canceled because of the COVID-19 pandemic. After a pared-down 2022 lab performance in New York, the world premiere played La Jolla Playhouse's Mandell Weiss Theatre from February 19 to April 9, 2023, with Brody Grant as Ponyboy. Broadway previews began on March 16, 2024, and opening night followed on April 11, with Grant, Sky Lakota-Lynch as Johnny, Joshua Boone as Dally, Brent Comer as Darrel, Jason Schmidt as Sodapop and Emma Pittman as Cherry.
The company performed "Tulsa '67," "Grease Got a Hold" and the rumble on the June 2024 Tony broadcast, and that July the cast album reached No. 1 on Billboard's Cast Albums chart. The production became the first in the Jacobs Theatre's history to pass the two-million mark in weekly grosses, and it earned back its capitalization about 20 months after opening. By October 11, 2026, it had played 1,042 performances. A North American tour began on September 17, 2025, in Buffalo, New York, and held its official opening that October at the Tulsa Performing Arts Center, in the story's hometown.
Grant left the role of Ponyboy on September 21, 2025, and a new principal company led by Noah Pacht arrived on March 17, 2026. As of October 2026, Pacht plays Ponyboy, Caleb Mathura plays Johnny, SeQuoiia plays Dally and Sutton James Kaylor plays Sodapop, while Darrel is played by Dan Berry, the original Paul. Emma Pittman, Cherry since the first preview, is the last original principal still in her original role.
The ending (spoilers)Contains spoilers. Tap to read
The Greasers win the rumble, but Johnny dies in the hospital after asking Ponyboy to stay gold, the words behind the late duet "Stay Gold." Overcome with grief, Dally runs onto the train tracks and is killed. Cherry brings Ponyboy a letter Johnny left, Sodapop reads it aloud, and Ponyboy makes peace with his brothers. His notebook turns out to hold the opening of Hinton's novel.
In the book, Dally provokes the police into shooting him. The musical changed his death, in part so that a character played by a Black actor would not be killed by police.
Songs
19 musical numbers in two acts, in running order.
Act One9 songs
- Tulsa '67Ponyboy, Johnny, Company
- Grease Got a HoldDallas, Sodapop, Two-Bit, Darrel, Greasers
- Runs in the FamilyDarrel
- Great ExpectationsPonyboy, Company
- Friday at the Drive-InCherry, Bob, Ensemble
- I Could Talk to You All NightCherry, Ponyboy
- Runs in the Family (Reprise)Darrel
- Far Away from TulsaPonyboy, Johnny, Ensemble
- Run Run BrotherDallas, Ponyboy, Johnny, Company
Act Two10 songs
- Justice for TulsaCop, Dallas, Cherry, Paul, Ensemble
- Death's at My DoorPonyboy, Johnny
- Throwing in the TowelDarrel, Sodapop, Ponyboy
- Soda's LetterSodapop, Ponyboy, Darrel
- Hoods Turned HeroesTwo-Bit, Sodapop, Greasers
- Hopeless WarCherry, Ponyboy
- TroubleDallas, Greasers, Socs
- Little BrotherDallas, Company
- Stay GoldJohnny, Ponyboy
- Finale (Tulsa '67)Ponyboy, Company
Awards
At the 77th Tony Awards on June 16, 2024, The Outsiders won four of its 12 nominations: Best Musical, Best Direction of a Musical for Taymor, Best Lighting Design of a Musical for MacDevitt and Kim, and Best Sound Design of a Musical for Spencer. Grant, Boone and Lakota-Lynch were nominated for their performances, and the book, score, orchestrations, scenic design and choreography were nominated too.
The lighting and sound designers also won Drama Desk Awards, MacDevitt won the Outer Critics Circle Award for lighting, and Grant received a Theatre World Award. Tilly Evans-Krueger, the original Ace, won the Chita Rivera Award for Outstanding Dancer in a Broadway Show, and the cast album was nominated for the Grammy Award for Best Musical Theater Album.
Tony Awards: 4 wins from 12 nominations · Drama Desk Awards: 2 wins from 9 nominations · Outer Critics Circle Awards: 1 win from 3 nominations · Drama League Awards: 3 nominations
| Year | Award | Category | Result |
|---|---|---|---|
| 2024 | Tony Award | Best Direction of a MusicalDanya Taymor | Won |
| 2024 | Tony Award | Best Lighting Design of a MusicalBrian MacDevitt and Hana S. Kim | Won |
| 2024 | Tony Award | Best Musical | Won |
| 2024 | Tony Award | Best Sound Design of a MusicalCody Spencer | Won |
| 2024 | Tony Award | Best Book of a MusicalAdam Rapp and Justin Levine | Nominated |
| 2024 | Tony Award | Best ChoreographyRick Kuperman and Jeff Kuperman | Nominated |
| 2024 | Tony Award | Best OrchestrationsMatt Hinkley, Justin Levine and Jamestown Revival (Jonathan Clay and Zach Chance) | Nominated |
| 2024 | Tony Award | Best Original Score (Music and/or Lyrics) Written for the TheatreJamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine | Nominated |
| 2024 | Tony Award | Best Performance by an Actor in a Featured Role in a MusicalJoshua Boone | Nominated |
| 2024 | Tony Award | Best Performance by an Actor in a Featured Role in a MusicalSky Lakota-Lynch | Nominated |
| 2024 | Tony Award | Best Performance by an Actor in a Leading Role in a MusicalBrody Grant | Nominated |
| 2024 | Tony Award | Best Scenic Design of a MusicalAMP featuring Tatiana Kahvegian | Nominated |
Show all 29 awards and nominations
| Year | Award | Category | Result |
|---|---|---|---|
| 2024 | Drama Desk Award | Outstanding Lighting Design of a MusicalBrian MacDevitt and Hana S. Kim | Won |
| 2024 | Drama Desk Award | Outstanding Sound Design of a MusicalCody Spencer | Won |
| 2024 | Drama Desk Award | Outstanding ChoreographyRick Kuperman and Jeff Kuperman | Nominated |
| 2024 | Drama Desk Award | Outstanding Direction of a MusicalDanya Taymor | Nominated |
| 2024 | Drama Desk Award | Outstanding Lead Performance in a MusicalBrody Grant | Nominated |
| 2024 | Drama Desk Award | Outstanding LyricsJamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine | Nominated |
| 2024 | Drama Desk Award | Outstanding MusicJamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine | Nominated |
| 2024 | Drama Desk Award | Outstanding Musical | Nominated |
| 2024 | Drama Desk Award | Outstanding Scenic Design of a MusicalAMP and Tatiana Kahvegian | Nominated |
| 2024 | Outer Critics Circle Award | Outstanding Lighting DesignBrian MacDevitt | Won |
| 2024 | Outer Critics Circle Award | Outstanding ChoreographyRick Kuperman and Jeff Kuperman | Nominated |
| 2024 | Outer Critics Circle Award | Outstanding New Broadway Musical | Nominated |
| 2024 | Drama League Award | Distinguished PerformanceBrody Grant | Nominated |
| 2024 | Drama League Award | Distinguished PerformanceJoshua Boone | Nominated |
| 2024 | Drama League Award | Outstanding Production of a Musical | Nominated |
| 2024 | Theatre World Award | Theatre World AwardBrody Grant | Won |
| 2025 | Grammy Award | Best Musical Theater Album | Nominated |
Creative team & cast
Creative team
Rapp was a Pulitzer Prize finalist in 2006 for Red Light Winter, and his play The Sound Inside opened on Broadway in 2019 and drew six Tony nominations. He first read Hinton's novel at 15, and this is both his first musical and his first stage adaptation. Levine does five jobs here: he shares the book with Rapp and the songs with Jamestown Revival, oversees the music, and writes the arrangements and orchestrations. He held the last three of those jobs on Moulin Rouge! and won a Tony Award for his work there.
Taymor, the niece of The Lion King director Julie Taymor, had never directed a musical before. She joined the project in 2021 after Rapp saw her Broadway production of Pass Over, which that year became the first play to reopen Broadway after the pandemic shutdown. The brothers Rick Kuperman and Jeff Kuperman created the choreography.
The scenography is by AMP featuring Tatiana Kahvegian; AMP is a collective that Brett J. Banakis and Christine Jones founded to work with emerging and underrepresented designers. Sarafina Bush designed the costumes, and Brian MacDevitt, who has lit more than 70 Broadway shows, the lighting. Hana S. Kim created the projections, Cody Spencer the sound, and Jeremy Chernick and Lillis Meeh the special effects. The Araca Group leads the producers, who include American Zoetrope, Coppola's company, and Angelina Jolie.
- Book
- Adam Rapp
- Book, Music & Lyrics
- Justin Levine
- Music & Lyrics
- Jonathan Clay, Zach Chance
- Director
- Danya Taymor
- Choreographer
- Rick Kuperman, Jeff Kuperman
- Music Supervisor
- Justin Levine
- Music Director
- Matt Hinkley
- Orchestrations
- Justin Levine, Matt Hinkley
- Arrangements
- Justin Levine
- Music Coordinator
- Kristy Norter
- Scenic Design
- AMP featuring Tatiana Kahvegian
- Costume Design
- Sarafina Bush
- Lighting Design
- Brian MacDevitt
- Sound Design
- Cody Spencer
- Projection Design
- Hana S. Kim
- Hair & Wig Design
- Alberto "Albee" Alvarado
- Makeup Design
- Tishonna Ferguson
- Special Effects
- Jeremy Chernick, Lillis Meeh
More production credits (10)
- Associate Director
- Autumn Angelettie
- Associate Choreographer
- Kristen Carcone, Tilly Evans-Krueger
- Casting
- Xavier Rubiano
- Sound Effects Specialist
- Taylor Bense
- Creative Consultant
- Jack Viertel
- Senior Associate Director
- Miranda Cornell
- Speech Text & Dialect Coach
- Gigi Buffington
- Anthropologist
- Michael Ralph
- Lead Producer
- The Araca Group
- Producer
- American Zoetrope, Olympus Theatricals, Sue Gilad, Larry Rogowsky, Angelina Jolie
Cast
As of October 2026. Casts change during a run, and understudies may appear at any performance.
- Ponyboy Curtis
- Noah Pacht
- Johnny Cade
- Caleb Mathura
- Dallas Winston
- SeQuoiia
- Darrel Curtis
- Dan Berry
- Sodapop Curtis
- Sutton James Kaylor
- Cherry Valance
- Emma Pittman
- Bob Sheldon
- Nicholas McDonough
- Ace
- Runako Campbell
- Steve Randle
- Alejandro MullerDahlberg
- Marcia
- Logan Gray Saad
- Beverly
- Abby Matsusaka
- Chet
- Ethan Van Slyke
- Brill
- Devin Tyler Hatch
- Trip
- Cole Zieser
Photo credits (3)
- Danya Taymor: The Tony Awards, CC BY 3.0
- Brian MacDevitt: The Tony Awards, CC BY 3.0
- Cody Spencer: PhilipRomano, CC BY-SA 4.0
Theater
Bernard B. Jacobs Theatre
242 West 45th Street, New York, NY 10036
1,078 seats · opened 1927
The Bernard B. Jacobs Theatre is a mid-sized Broadway house on West 45th Street, owned and run by the Shubert Organization. It has hosted plays and musicals alike, and for most of its life it was called the Royale. The name now honors Bernard B. Jacobs (1916–1996), president of the Shubert Organization from 1972 to 1996. It stands on the block with more Broadway theaters than any other.
Getting there
The address is 242 West 45th Street, on the downtown side of the block between Broadway and Eighth Avenue; this stretch of the street also bears the name George Abbott Way. The John Golden Theatre is next door to the west, the Booth and the Gerald Schoenfeld sit to the east, and the Music Box and Imperial face it across the street. Its stage door, which the Majestic and the Golden use too, is at 270 West 45th Street.
The nearest subway stop is 42 St-Port Authority Bus Terminal (A, C, E), which shares an accessible station complex with Times Sq-42 St (1, 2, 3, 7, N, Q, R, W, S). To the north, 49 St (N, R, W) is accessible for uptown trains only, and 50 St (C, E) for downtown trains only.
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Photo: Mademoiselle Sabina, CC BY-SA 2.5
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Before or after the show
- Museum of Broadway
- Hell's Kitchen food tour before the show
- Empire State Building observation deck
- SUMMIT One Vanderbilt
- Statue of Liberty and Ellis Island ferry
On tour
| City | Venue | Dates | Status |
|---|---|---|---|
| SF Bay Area, CA | Orpheum Theatre | Dec 9 - Dec 27, 2026 | Announced |
Past stops (1)
| City | Venue | Dates | Status |
|---|---|---|---|
| Los Angeles, CA | Segerstrom Center for the Arts, Segerstrom Hall | Oct 20 - Nov 1, 2026 | Finished |
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