Just in Time
The Bobby Darin story, played in a Broadway nightclub
A jukebox musical about Bobby Darin, from a frail New York kid to the voice of "Mack the Knife," staged in a theater turned into a nightclub with a big band on stage.
Quick take
- Musical
- 2h 30m · 1 intermission
- Circle in the Square Theatre
- Ages 10+
- Opened 2025
- Nominated for 6 Tony Awards
- Based on the life and music of Bobby Darin
- 8 performances a week, dark on Mondays
Just in Time showtimes
All times Eastern. Schedule last checked Nov 7
- 3:00 PMMatineeTomorrow
- 7:00 PMEvening
- 2:00 PMMatinee
- 1:00 PMMatinee
- 7:00 PMEvening
- 8:00 PMEvening
- 2:00 PMMatinee
- 8:00 PMEvening
Our guide to Just in Time
On this page 10 sections
What it is
Just in Time is a biographical jukebox musical about Bobby Darin, the singer born Walden Robert Cassotto in New York on May 14, 1936. It follows him from a childhood shadowed by a weak heart to hit records, film roles and a marriage to his screen co-star, and it tells that story through songs Darin recorded and performed rather than a new score.
Alex Timbers directed the production, which has a book by Warren Leight and Isaac Oliver, and Jonathan Groff created the role of Darin on Broadway. The musical opened at the Circle in the Square Theatre on April 26, 2025, for an open-ended run.
What sets it apart is the room: for this show the theater has been reconfigured as a nightclub. The production picked up six Tony Award nominations in 2025, and in May 2026 it became the first musical of the 2024-25 season to pay back its capitalization.
The story
The evening begins in the present day. The actor playing Darin steps out as himself, talks to the house and sets his own career beside Bobby's before slipping into the role and rewinding to a New York boyhood. Doctors doubt young Walden will live to 16, so Polly, the woman bringing him up, pushes him to treat every moment as precious, while his older sister Nina frets over his health.
After the Bronx High School of Science, he chases a music career and lands in the jingle business. One of those jobs introduces him to the singer Connie Francis. The two fall for each other, but her father objects, so they keep the romance quiet. Along the way Bobby takes his stage name from a broken sign on a Chinese restaurant, blanks on the lyrics during a live television spot and still climbs the charts with sound-alike records in the style of Elvis Presley and other stars of the day.
The breakthrough comes from a dare. The disc jockey Murray the K challenges Bobby to come up with a song about bath time, and Bobby produces "Splish Splash" in roughly 15 minutes. It becomes a national hit. Success brings losses, too: Connie's father catches the couple together and runs Bobby off with a gun, and Connie ends things. Polly, who keeps urging him to aim for the Copacabana, her favorite club, dies before he plays there.
His managers reject his idea for an album of standards, so Bobby pays for the session himself and records a swing version of "Mack the Knife," a song from The Threepenny Opera by Brecht and Weill. That gamble closes the first act.
In the second act the record makes Bobby an international star. He wins two Grammy Awards and moves into films, and on a shoot in Italy he meets his young co-star Sandra Dee, whose stage mother has left her little room for a childhood. Bobby wins over the mother as well as the daughter, and the couple marry and have a child. Constant touring wears the marriage down, Sandra drinks heavily, and they divorce. Bobby then turns to politics and signs on with the Robert F. Kennedy campaign.
The music
The score is drawn from Darin's repertoire and placed along the story, so the songs double as a tour of his career, beginning with early chart hits and sound-alike records. Many of them put Bobby in front of the Sirens, a group of female backup singers. A few numbers worth listening for:
- "This Could Be the Start of Something Big / Just in Time" opens the show with Bobby and the Sirens.
- "Splish Splash" is the song written on a dare; in real life Darin co-wrote it, and it was his first single to sell a million copies.
- "Who's Sorry Now" is Connie Francis's solo in the first act.
- "That's All" is a duet for Bobby and Polly, the woman who raised him.
- "Mack the Knife" ends the first act and marks the turn in his career.
- "Dream Lover," a song Darin wrote himself, opens the second act.
One detail for collectors: "I Am" is heard only as an instrumental in the show, but it is sung in full on the cast album.
The production
The show is built around the idea of a night out. Inside Circle in the Square, the audience finds a club layout: cabaret-style seats, two separate playing areas and the big band in view on stage. The producers describe the result as an immersive Broadway show.
Several actors cover more than one character; one performer, for example, plays both Nina Cassotto and Mary Douvan, Sandra Dee's mother. Atlantic Records founder Ahmet Ertegun, who produced many of Darin's early hits, appears as a character, and the theater itself sits directly below the label's headquarters.
History
The show grew out of The Bobby Darin Story, a run of five concert performances at the 92nd Street Y in New York in 2018 with Groff as Darin; he then developed the piece further with Timbers. The Broadway production was announced on October 9, 2024, and a benefit concert previewing the musical took place at Signature Theatre on November 11, 2024. In December 2024, Billboard premiered three studio recordings Groff made for the show: "Beyond the Sea," "Dream Lover" and the title song.
Previews were first set to begin on March 28, 2025, with the opening planned for April 23. Converting the theater into a nightclub took longer than expected, so the first two previews were canceled; performances began on March 31, 2025, and the official opening moved to April 26, 2025. As of October 2026, the production had played 608 regular performances after 27 previews, and no closing date had been announced.
The show has broken the weekly box-office record at Circle in the Square more than once, and Groff's final week, which ended on March 29, 2026, was the production's highest-grossing week up to that point. Matthew Morrison then played Bobby for three weeks starting April 1, 2026, and Jeremy Jordan followed on April 21, 2026. Connie Francis, created by Gracie Lawrence, was later played by Sarah Hyland, Isa Briones and Olivia Holt; Sandra Dee, created by Erika Henningsen, passed to Sadie Dickerson and then Carrie St. Louis; and Debbie Gravitte succeeded Michele Pawk as Polly.
The Just In Time (Original Broadway Cast Recording) came out digitally on August 15, 2025, on Atlantic Records, after two singles in July 2025: "Splish Splash" and the opening number. Groff also sang a medley that included "Mack the Knife" and "That's All" on the 78th Tony Awards broadcast in 2025.
As of October 2026, a North American tour is planned to launch in June 2027 at Proctors in Schenectady, New York, with later stops that include New Orleans, Washington, D.C., and Des Moines. Darin's life has also been dramatized in the 2004 film Beyond the Sea and in the stage show Dream Lover: The Bobby Darin Musical.
The ending (spoilers)Contains spoilers. Tap to read
When Bobby considers running for office, Nina tells him the truth: she is his mother, not his older sister, and Polly was his grandmother. Stung, he cuts Nina off, switches to denim and folk music, loses his place at the Copa and retreats alone to a trailer in Big Sur, California. A visit from Sandra helps him steady himself, and he returns to the Copa for a comeback even as his heart grows weaker. Bobby dies of a heart infection at 37, and the company sends everyone home with a reminder not to waste the time they are given.
In real life, Darin learned the truth about his family in 1968 and died in Los Angeles on December 20, 1973, after open-heart surgery.
Songs
25 musical numbers in two acts, in running order.
Act One13 songs
- This Could Be the Start of Something Big / Just in TimeBobby, Sirens
- Beyond the SeaBobby
- Orange Furniture StoreBobby, Don
- First Real LoveConnie, Bobby
- Rock Island LineBobby
- Imitation MedleyBobby, Elvis Presley, Riders in the Sky, Connie, Sirens
- Splish SplashBobby, Sirens
- Who's Sorry NowConnie
- That's AllPolly, Bobby
- Queen of the HopBobby, Sirens
- The Good LifeNina
- Up a Lazy RiverBobby, Polly, Stephen Blauner, Ahmet Ertegun
- Mack the KnifeBobby
Act Two12 songs
- Dream LoverBobby, Sirens
- Not for MeSandra
- MultiplicationAngelo, Charlie
- Eighteen Yellow RosesMary, Sandra, Bobby, Sirens
- Irresistible YouBobby, Sandra
- ThingsBobby, Sandra, Guys, Sirens
- Rainin'Bobby, Sandra
- I AmBobby (instrumental in the show)
- If I Were a CarpenterBobby, Sandra
- Once in a Lifetime / That's AllBobby, Sirens
- The Curtain FallsBobby
- Curtain Call MedleyCompany
Awards
At the 2025 Tony Awards, Just in Time received six nominations and no wins. Groff was nominated for Best Performance by an Actor in a Leading Role in a Musical and Gracie Lawrence for Best Performance by an Actress in a Featured Role in a Musical; the other four nominations went to the orchestrations and to the scenic, costume and sound design. The show was not nominated for Best Musical.
The same season brought nine Drama Desk nominations, including Outstanding Musical, with wins for Outstanding Orchestrations and Outstanding Sound Design of a Musical. Of its three Outer Critics Circle nominations, the show won one, for Resnick and Thurber's orchestrations; it also collected four Drama League nominations and three Chita Rivera Award nominations. The cast album was nominated for the Grammy Award for Best Musical Theater Album in 2026.
Tony Awards: 6 nominations · Drama Desk Awards: 2 wins from 9 nominations · Outer Critics Circle Awards: 1 win from 3 nominations · Drama League Awards: 4 nominations
| Year | Award | Category | Result |
|---|---|---|---|
| 2025 | Tony Award | Best Costume Design of a MusicalCatherine Zuber | Nominated |
| 2025 | Tony Award | Best OrchestrationsAndrew Resnick and Michael Thurber | Nominated |
| 2025 | Tony Award | Best Performance by an Actor in a Leading Role in a MusicalJonathan Groff | Nominated |
| 2025 | Tony Award | Best Performance by an Actress in a Featured Role in a MusicalGracie Lawrence | Nominated |
| 2025 | Tony Award | Best Scenic Design of a MusicalDerek McLane | Nominated |
| 2025 | Tony Award | Best Sound Design of a MusicalPeter Hylenski | Nominated |
| 2025 | Drama Desk Award | Outstanding OrchestrationsAndrew Resnick and Michael Thurber | Won |
| 2025 | Drama Desk Award | Outstanding Sound Design of a MusicalPeter Hylenski | Won |
| 2025 | Drama Desk Award | Outstanding Book of a MusicalWarren Leight and Isaac Oliver | Nominated |
| 2025 | Drama Desk Award | Outstanding Costume Design of a MusicalCatherine Zuber | Nominated |
| 2025 | Drama Desk Award | Outstanding Direction of a MusicalAlex Timbers | Nominated |
| 2025 | Drama Desk Award | Outstanding Featured Performance in a MusicalGracie Lawrence | Nominated |
Show all 23 awards and nominations
| Year | Award | Category | Result |
|---|---|---|---|
| 2025 | Drama Desk Award | Outstanding Lead Performance in a MusicalJonathan Groff | Nominated |
| 2025 | Drama Desk Award | Outstanding Musical | Nominated |
| 2025 | Drama Desk Award | Outstanding Scenic Design of a MusicalDerek McLane | Nominated |
| 2025 | Outer Critics Circle Award | Outstanding Orchestrations (Broadway or Off-Broadway)Andrew Resnick and Michael Thurber | Won |
| 2025 | Outer Critics Circle Award | Outstanding ChoreographyShannon Lewis | Nominated |
| 2025 | Outer Critics Circle Award | Outstanding Featured Performer in a Broadway MusicalMichele Pawk | Nominated |
| 2025 | Drama League Award | Distinguished PerformanceJonathan Groff | Nominated |
| 2025 | Drama League Award | Distinguished PerformanceGracie Lawrence | Nominated |
| 2025 | Drama League Award | Outstanding Direction of a MusicalAlex Timbers | Nominated |
| 2025 | Drama League Award | Outstanding Production of a Musical | Nominated |
| 2026 | Grammy Award | Best Musical Theater Album | Nominated |
Creative team & cast
Creative team
The original concept came from Ted Chapin, and Leight and Oliver built the book from it. Shannon Lewis created the choreography. Andrew Resnick supervised the music and wrote the arrangements, and he shares the orchestration credit with Michael Thurber; Jared Schonig is credited with the drum arrangements.
The designers are Derek McLane (scenery), Catherine Zuber (costumes), Justin Townsend (lighting) and Peter Hylenski (sound), with hair by Tom Watson and makeup by Suki Tsujimoto. Leigh Zimmerman is credited for intimacy direction and audience interaction, and casting is by Jim Carnahan and Jason Thinger.
The producers include Tom Kirdahy, Robert Ahrens, John Frost and Groff himself, with Live Wire Theatrical as general manager. Signature Theatre in Arlington, Virginia, The Shubert Organization and James L. Nederlander are among the co-producers.
- Book
- Warren Leight, Isaac Oliver
- Conceived by
- Ted Chapin
- Director
- Alex Timbers
- Choreographer
- Shannon Lewis
- Music Supervisor
- Andrew Resnick
- Orchestrations
- Andrew Resnick, Michael Thurber
- Arrangements
- Andrew Resnick
- Scenic Design
- Derek McLane
- Costume Design
- Catherine Zuber
- Lighting Design
- Justin Townsend
- Sound Design
- Peter Hylenski
- Hair & Wig Design
- Tom Watson
- Makeup Design
- Suki Tsujimoto
More production credits (6)
- Associate Director
- Susanna Wolk
- Associate Choreographer
- Grace Lemieux
- Casting
- Jim Carnahan, Jason Thinger
- Drum Arrangements
- Jared Schonig
- Intimacy Director/Audience Interaction
- Leigh Zimmerman
- Producer
- Tom Kirdahy, Robert Ahrens, John Frost, Jonathan Groff
Cast
As of October 2026. Casts change during a run, and understudies may appear at any performance.
- Bobby Darin
- Jeremy Jordan, Matthew Morrison, Nicholas Christopher
- Connie Francis
- Ariana Madix
- Sandra Dee
- Carrie St. Louis, Whitney Leavitt
- Polly Walden
- Debbie Gravitte
- Charlie Maffia & others
- Joe Barbara
- Nina Cassotto / Mary Douvan
- Emily Bergl
- Ahmet Ertegun & others
- Lance Roberts
- Don Kirshner & others
- Caesar Samayoa
- Siren
- Christine Cornish, Julia Grondin, Valeria Yamin
Ensemble, swings and understudies (6)
- Bobby Darin (standby)
- Matt Magnusson
- Polly Walden (standby)
- Tari Kelly
- Charlie Maffia & others (standby)
- Jeffrey Schecter
- Connie Francis (understudy)
- Tristen Buettel
- Sandra Dee (understudy)
- Gabi Carrubba
- Swing
- Jaime Foord
Photo credits (10)
- Warren Leight: Peabody Awards, CC BY 2.0
- Alex Timbers: PhilipRomanoPhoto, CC BY-SA 4.0
- Michael Thurber: PhilipRomanoPhoto, CC BY-SA 4.0
- Catherine Zuber: PhilipRomano, CC BY-SA 4.0
- Peter Hylenski: The Tony Awards, CC BY 3.0
- Jeremy Jordan: Sarah_Ackerman, CC BY 2.0
- Matthew Morrison: Peabody Awards, CC BY 2.0
- Nicholas Christopher: PhilipRomano, CC BY-SA 4.0
- Whitney Leavitt: Skjiisa, CC BY-SA 4.0
- Emily Bergl: Greg2600, CC BY-SA 2.0
Theater
Circle in the Square Theatre
235 West 50th Street, New York, NY 10019
840 seats · opened 1972
Circle in the Square Theatre is a compact Broadway house built around a thrust stage. Instead of facing a picture-frame opening at the far end of a hall, the audience sits on three sides of the playing area. Only one other Broadway venue, the Vivian Beaumont Theater at Lincoln Center, works this way. The room lies below street level inside Paramount Plaza, the office tower at 1633 Broadway that also contains the far larger Gershwin Theatre.
Getting there
The theater is at 235 West 50th Street, on the block between Broadway and Eighth Avenue in Midtown Manhattan, in the same building as the Gershwin Theatre. A subway station sits at each end of that block: 50th Street on the 1 line at Broadway, and 50th Street on the C and E lines at Eighth Avenue. Late at night the 2 also stops at Broadway, and the A at Eighth Avenue.
The theater does not seat latecomers after the show starts, and patrons who step out mid-performance are not reseated, so allow extra time. There is no public stage door: actors leave through the main lobby.
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Photo: Philip Romano, CC BY-SA 4.0
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Before or after the show
- Museum of Broadway
- Hell's Kitchen food tour before the show
- Empire State Building observation deck
- SUMMIT One Vanderbilt
- Statue of Liberty and Ellis Island ferry
On tour
| City | Venue | Dates | Status |
|---|---|---|---|
| Washington, DC | The National Theatre | Jul 20 - Aug 1, 2027 | Announced |
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