Harry Potter and the Cursed Child

Winner of six Tony Awards, including Best Play

Broadway playNow playing since Apr 2018

A fantasy play that follows Harry Potter as a father: his son Albus teams up with Draco Malfoy's son, Scorpius, and a stolen Time-Turner sends them into the past.

  • Harry Potter and the Cursed Child artwork
  • Harry Potter and the Cursed Child poster

Quick take

  • Play
  • 2h 55m · 1 intermission
  • Lyric Theatre
  • Ages 8+
  • Opened 2018
  • Winner of 6 Tony Awards in 2018, including Best Play
  • Based on an original story by J.K. Rowling, Jack Thorne and John Tiffany
  • 8 performances a week, dark on Mondays

Harry Potter and the Cursed Child showtimes

All times Eastern. Schedule last checked Nov 7

Our guide to Harry Potter and the Cursed Child

On this page 9 sections

What it is

Harry Potter and the Cursed Child is a fantasy play, not a musical, that carries J.K. Rowling's Harry Potter novels into the next generation. Nineteen years have gone by since Harry Potter and the Deathly Hallows. Harry is a working father now, and the play follows his troubled bond with his younger son, Albus, along with the friendship Albus forms with the son of Harry's old rival, Draco Malfoy. A stolen Time-Turner sets the plot in motion.

Jack Thorne wrote the script from an original story he developed with Rowling and the director John Tiffany. The producers present it as the eighth Harry Potter story and the first official one made for the stage. It began in London's West End in 2016 and came to the Lyric Theatre on Broadway, where it opened on April 22, 2018.

The Broadway production won six Tony Awards in 2018, Best Play among them, a year after the London staging collected nine Laurence Olivier Awards. Conceived in two parts, it has been performed on Broadway since November 2021 as a single show with one intermission.

The story

The opening scene takes place at King's Cross, where Harry and Ginny Potter send Albus off to his first year at Hogwarts. It is the very moment that ends the last novel, so readers begin on familiar ground. On the Hogwarts Express, Albus makes friends with Scorpius Malfoy, Draco's son. Soon after, he is sorted into Slytherin rather than Gryffindor.

The grown-ups from the books have settled into careers. Harry heads law enforcement at the Ministry of Magic. Hermione Granger has become Minister for Magic, Ginny edits the sports pages of the Daily Prophet, and Ron Weasley runs the joke shop with George.

Year after year at school, Albus feels he can never measure up to the Potter name, while Scorpius lives with gossip about who his father really is. Meanwhile Harry and Albus stop understanding each other. Following one especially harsh fight with his father, Albus sets out to repair an old injustice by saving Cedric Diggory. Cedric's elderly father, Amos, has pleaded with Harry for help, and Albus decides to take the job on himself.

With help from Delphi, who looks after Amos, the boys disguise themselves with Polyjuice and take a Time-Turner from the Ministry of Magic. Their visits to the Triwizard Tournament ripple forward and alter the present in ways they did not foresee. At the same time, Harry's scar starts to hurt again. The tone shifts between family drama and fantasy adventure. This guide stops at the setup and leaves the twists for the theater.

The writing

Instead of adapting one of the novels, Thorne, Rowling and Tiffany wrote a new chapter set after the books end, while the script itself is credited to Thorne alone. The action moves among Hogwarts, the Ministry of Magic, the Hogwarts Express and Godric's Hollow.

The play was planned as a two-part event, a split Rowling announced on September 24, 2015. The script also appeared in print as Harry Potter and the Cursed Child - Parts One and Two: a rehearsal edition on July 31, 2016, followed by a definitive edition on July 25, 2017. For the one-part version, more than 90 minutes of material were removed, including dream sequences with young Harry, the Dursleys and Hagrid; the trimmed script is reported to make the bond between Albus and Scorpius more openly romantic. Another round of cuts on November 12, 2024, brought the evening in at under three hours.

Imogen Heap composed the original score and shares the arranging credit with Martin Lowe, the music supervisor. Heap's music won the Drama Desk Award for Outstanding Music in a Play. Her album The Music of Harry Potter and the Cursed Child - In Four Contemporary Suites came out in 2018 and earned a Grammy nomination for Best Musical Theater Album.

The production

Much of the recognition for this show went to its stagecraft. Beyond the design Tonys, the New York Drama Critics' Circle gave the production a special citation for staging, design and illusions. Expect illusions, video projection, lighting and sound to work together with Heap's score. Jeremy Chernick designed special effects for the original production. The caged birds you see are props; the production uses no live animals.

As of October 2026, John Skelley plays Harry Potter, Trish Lindstrom plays Ginny Potter, Emmet Smith plays Albus Potter and Aidan Close plays Scorpius Malfoy. Rachel Christopher is Hermione Granger, Daniel Fredrick is Ron Weasley, Janae Hammond is Rose Granger-Weasley and Kristen Martin is Delphi Diggory.

As of October 2026, Draco Malfoy is played by Tom Felton, who played the same character in the Harry Potter films. He joined the company in November 2025 for his Broadway debut, the first actor from the films to take his role into the play. His final performance is scheduled for January 3, 2027, and he is off at a few announced performances before then. Rupert Grint, Ron in the films, later joins the company as Ron for a 17-week limited engagement, February 2 to May 30, 2027, which was announced on August 26, 2026. The two runs do not overlap.

History

A Harry Potter stage play was first announced as being in development in December 2013. The world premiere took place at the Palace Theatre in London, with a first preview on June 7, 2016, and an official opening on July 30, 2016. The move to Broadway was announced on May 4, 2017. To prepare the Lyric Theatre, which had previously housed Cirque du Soleil's Paramour, the building was heavily renovated: about 400 seats came out and the entrance was relocated to West 43rd Street. The production was estimated to be the most expensive non-musical play ever staged on Broadway.

Broadway previews began on March 16, 2018, and the official opening followed on April 22, 2018. The principal London cast transferred with the play, among them Jamie Parker as Harry, Noma Dumezweni as Hermione, Paul Thornley as Ron, Poppy Miller as Ginny, Alex Price as Draco, Sam Clemmett as Albus and Anthony Boyle as Scorpius.

The COVID-19 pandemic stopped performances on March 12, 2020. When the curtain went up again on November 12, 2021, the two parts had become one. The North American tour opened on September 10, 2024, at the James M. Nederlander Theatre in Chicago, and that November Broadway switched to the tour's shorter cut. In London, the two-part version gave its final performance on September 20, 2026, and the Palace Theatre production returned in one-part form on October 9, 2026.

Productions elsewhere opened in Melbourne at the Princess Theatre (February 23, 2019); in San Francisco at the Curran Theatre (December 1, 2019); in Hamburg (December 5, 2021), the first staging in a language other than English; in Toronto at the Ed Mirvish Theatre (June 19, 2022); and in Tokyo at the TBS Akasaka ACT Theater (July 8, 2022). A Dutch-language one-part production premiered in The Hague on March 14, 2026, and an edition for high school productions was prepared in fall 2024. By 2026, productions around the world were reported to have sold more than six million tickets.

The Broadway run has also set box-office records. Its holiday week at the end of December 2023 brought what was then the top weekly gross for a non-musical play, and by 2025 it was reported to be the highest-grossing non-musical play in Broadway history. In the week ending November 23, 2025, Tom Felton's second week in the cast, it broke the Lyric Theatre's house record for an eight-performance week.

Awards

At the 2018 Tony Awards, the play received 10 nominations and won six: Best Play, Best Direction of a Play for John Tiffany, Best Scenic Design in a Play for Christine Jones, Best Costume Design in a Play for Katrina Lindsay, Best Lighting Design in a Play for Neil Austin and Best Sound Design in a Play for Gareth Fry. Jamie Parker, Anthony Boyle and Noma Dumezweni were nominated for their performances.

The same season brought Drama Desk Awards for direction, music, lighting, projection and sound design, the Outer Critics Circle Award for Outstanding New Broadway Play, and the Drama League Award for Outstanding Production of a Broadway or Off-Broadway Play. In London a year earlier, the play won nine Laurence Olivier Awards from 11 nominations, including Best New Play and acting awards for Parker, Dumezweni and Boyle, a total reported as a record for the Oliviers.

Tony Awards: 6 wins from 10 nominations · Drama Desk Awards: 5 wins from 8 nominations · Outer Critics Circle Awards: 6 wins from 10 nominations · Drama League Awards: 1 win from 3 nominations

Harry Potter and the Cursed Child: awards and nominations
YearAwardCategoryResult
2018Tony AwardBest Costume Design in a PlayKatrina LindsayWon
2018Tony AwardBest Direction of a PlayJohn TiffanyWon
2018Tony AwardBest Lighting Design in a PlayNeil AustinWon
2018Tony AwardBest PlayWon
2018Tony AwardBest Scenic Design in a PlayChristine JonesWon
2018Tony AwardBest Sound Design in a PlayGareth FryWon
2018Tony AwardBest Actor in a PlayJamie ParkerNominated
2018Tony AwardBest ChoreographySteven HoggettNominated
2018Tony AwardBest Featured Actor in a PlayAnthony BoyleNominated
2018Tony AwardBest Featured Actress in a PlayNoma DumezweniNominated
2018Drama Desk AwardOutstanding Director of a PlayJohn TiffanyWon
2018Drama Desk AwardOutstanding Lighting Design for a PlayNeil AustinWon
Show all 44 awards and nominations
Harry Potter and the Cursed Child: more awards and nominations
YearAwardCategoryResult
2018Drama Desk AwardOutstanding Music in a PlayImogen HeapWon
2018Drama Desk AwardOutstanding Projection DesignFinn Ross and Ash WoodwardWon
2018Drama Desk AwardOutstanding Sound Design in a PlayGareth FryWon
2018Drama Desk AwardOutstanding Costume Design for a PlayKatrina LindsayNominated
2018Drama Desk AwardOutstanding Featured Actor in a PlayAnthony BoyleNominated
2018Drama Desk AwardOutstanding Wig and Hair DesignCarole HancockNominated
2018Outer Critics Circle AwardOutstanding Director of a PlayJohn TiffanyWon
2018Outer Critics Circle AwardOutstanding Lighting Design (Play or Musical)Neil AustinWon
2018Outer Critics Circle AwardOutstanding New Broadway PlayWon
2018Outer Critics Circle AwardOutstanding Projection Design (Play or Musical)Finn Ross and Ash WoodwardWon
2018Outer Critics Circle AwardOutstanding Scenic Design (Play or Musical)Christine JonesWon
2018Outer Critics Circle AwardOutstanding Sound Design (Play or Musical)Gareth FryWon
2018Outer Critics Circle AwardOutstanding ChoreographerSteven HoggettNominated
2018Outer Critics Circle AwardOutstanding Costume Design (Play or Musical)Katrina LindsayNominated
2018Outer Critics Circle AwardOutstanding Featured Actor in a PlayAnthony BoyleNominated
2018Outer Critics Circle AwardOutstanding New Score (Broadway or Off-Broadway)Imogen HeapNominated
2018Drama League AwardOutstanding Production of a Broadway or Off-Broadway PlayWon
2018Drama League AwardDistinguished Performance AwardAnthony BoyleNominated
2018Drama League AwardDistinguished Performance AwardNoma DumezweniNominated
2018New York Drama Critics' CircleSpecial Citation (staging, design and illusions)Won
2020Grammy AwardBest Musical Theater AlbumImogen HeapNominated
2017Laurence Olivier AwardBest ActorJamie ParkerWon
2017Laurence Olivier AwardBest Actor in a Supporting RoleAnthony BoyleWon
2017Laurence Olivier AwardBest Actress in a Supporting RoleNoma DumezweniWon
2017Laurence Olivier AwardBest Costume DesignKatrina LindsayWon
2017Laurence Olivier AwardBest DirectorJohn TiffanyWon
2017Laurence Olivier AwardBest Lighting DesignNeil AustinWon
2017Laurence Olivier AwardBest New PlayWon
2017Laurence Olivier AwardBest Set DesignChristine JonesWon
2017Laurence Olivier AwardBest Sound DesignGareth FryWon
2017Laurence Olivier AwardBest Theatre ChoreographerSteven HoggettNominated
2017Laurence Olivier AwardOutstanding Achievement in MusicImogen HeapNominated

Creative team & cast

Creative team

John Tiffany directs. Besides sharing the story credit, he won the Tony Award for Best Direction of a Play, along with Drama Desk and Outer Critics Circle Awards for the same work. Steven Hoggett is credited as movement director, shaping how the company moves through the scenes; that work brought him a Tony nomination for Best Choreography.

Four of the designers won Tony Awards. Christine Jones designed the set, Katrina Lindsay the costumes, Neil Austin the lighting and Gareth Fry the sound. Jamie Harrison is credited with the illusions and magic, and Finn Ross and Ash J. Woodward created the video design, which earned them projection awards from both the Drama Desk and the Outer Critics Circle. Carole Hancock designed the hair, wigs and makeup.

Casting is by Jim Carnahan and Alexandre Bleau. Des Kennedy serves as international associate director and Conner Wilson as associate director. The producers are Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions.

Original Story
J.K. Rowling, Jack Thorne, John Tiffany
Playwright
Jack Thorne
Music
Imogen Heap
Director
John Tiffany
Movement Director
Steven Hoggett
Music Supervisor
Martin Lowe
Arrangements
Imogen Heap, Martin Lowe
Scenic Design
Christine Jones
Costume Design
Katrina Lindsay
Lighting Design
Neil Austin
Sound Design
Gareth Fry
Video Design
Finn Ross, Ash J. Woodward
Hair, Wigs and Makeup
Carole Hancock
Illusions and Magic
Jamie Harrison
International Associate Director
Des Kennedy
More production credits (3)
Associate Director
Conner Wilson
Casting
Jim Carnahan, Alexandre Bleau
Producer
Sonia Friedman, Colin Callender, Harry Potter Theatrical Productions

Cast

As of October 2026. Casts change during a run, and understudies may appear at any performance.

Harry Potter
John Skelley
Ginny Potter
Trish Lindstrom
Albus Potter
Emmet Smith
Draco Malfoy
Tom Felton
Scorpius Malfoy
Aidan Close
Hermione Granger
Rachel Christopher
Ron Weasley
Daniel Fredrick
Rose Granger-Weasley
Janae Hammond
Delphi Diggory
Kristen Martin
Photo credits (3)

Theater

Lyric Theatre

214 West 43rd Street, New York, NY 10036

1,622 seats · opened 1998

The Lyric Theatre is a big Broadway house made for large musicals, with 1,622 seats on three levels and a size now comparable to the Majestic or the St. James. ATG Entertainment runs it. The city and state of New York own the building; New 42nd Street, the nonprofit that looks after the block's old playhouses, developed it.

Getting there

The box office and main doors are at 214 West 43rd Street, near Times Square; the second entrance is at 213 West 42nd Street. The Todd Haimes Theatre is the western neighbor; between the Lyric and 42nd Street stand the New Victory and Times Square theaters, with the New Amsterdam across the street.

The closest subway stops, Times Square-42nd Street (1, 2, 3, 7, N, Q, R, W and S) and 42nd Street-Port Authority Bus Terminal (A, C and E), form one accessible complex. The B, D, F and M trains stop farther east, at 42nd Street-Bryant Park. For the stage door, leave by the 43rd Street doors and look left for a glass door under the carved word Drama.

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About the theater →

Questions about Harry Potter and the Cursed Child

How long is Harry Potter and the Cursed Child?

About 2 h 55 min, one intermission.

What age is Harry Potter and the Cursed Child suitable for?

Ages 8+, according to the production.

Where is Harry Potter and the Cursed Child playing?

At the Lyric Theatre, 214 West 43rd Street, New York, NY 10036. About the theater →

When did Harry Potter and the Cursed Child open?

Performances began Nov 12, 2021, with opening night on Apr 22, 2018.

How much are tickets to Harry Potter and the Cursed Child?

Prices are set by the production and vary by date and seat. Buy at the theater box office or the show's official site.

How many performances a week does Harry Potter and the Cursed Child play?

8 performances a week, with no performances on Mondays. Showtimes →

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