Quick take
- Play
- 2h 30m · 1 intermission
- Booth Theatre
- Ages 12+
- Opens Nov 15
- Winner of 2 Outer Critics Circle Awards
- 8 performances a week
Downstate showtimes
All times Eastern. Schedule last checked Nov 7
- 1:00 PMMatineeTomorrow
- 6:30 PMEveningTomorrow
- 8:00 PMEvening
- 8:00 PMEvening
- 2:00 PMMatinee
- 8:00 PMEvening
- 8:00 PMEvening
- 2:00 PMMatinee
Our guide to Downstate
On this page 10 sections
What it is
Downstate is a play by Bruce Norris, the author of the Pulitzer Prize-winning Clybourne Park. It is a tragicomedy, which means humor runs alongside a subject that could hardly be heavier. The four men at its center have served prison time for sexual offenses involving minors and now share a state-approved group home in Illinois, still listed on the registry and still bound by a long list of rules. Their uneasy routine is thrown off when a man who was abused by one of them as a boy turns up at the door.
The play is an original script rather than an adaptation of a book or film. Its title is a piece of local geography: in Illinois, downstate is the everyday word for the parts of the state beyond the Chicago area. Steppenwolf Theatre Company in Chicago and the National Theatre in London commissioned the play together and presented its world premiere in 2018. In New York, its Off-Broadway run won the New York Drama Critics' Circle Award for Best Play in 2023, and Norris later received an Obie Award for the writing.
This is the play's first Broadway production, and it is a new staging rather than a transfer of the version seen in Chicago, London and Off-Broadway. Joe Mantello, a three-time Tony Award winner, directs it at the Booth Theatre for a limited 12-week engagement. As of October 2026, two actors from the 2018 premiere are back in the parts they created: K. Todd Freeman plays Dee and Francis Guinan plays Fred.
The story
The play is set in the present, inside a worn-out single-story house from the middle of the last century somewhere in downstate Illinois. Four men live there under the eye of the state. Fred, in his 70s, gets around in a motorized wheelchair; he used to teach piano and was convicted of abusing two of his pupils. Dee, close to 60, is a former performer whose conviction involved a boy of 14. Gio, in his 30s, is ambitious and never stops talking; his record is for statutory rape. Felix, in his 40s, is a quiet loner who abused his young daughter.
Two other people belong to the men's daily world: Ivy, the overworked probation officer responsible for all four, and Effie, Gio's girlfriend, who is in her late teens or early twenties.
The visit that drives the plot comes from Andy, a professional man in his 40s who took piano lessons from Fred as a child. He arrives with his wife, Em, intent on confronting the man who hurt him. The household also faces pressure from the authorities. Ivy reports that the zone around a school where the men are not allowed to go has been widened, a change that puts their access to a grocery store at risk. Felix also admits to Ivy that he broke the terms of his parole by going to a library computer to look at his daughter's photos on Facebook.
Out of these threads come the play's real questions. What should punishment look like once a sentence is served? When does justice shade into revenge? And how far will anyone's compassion stretch toward men who did what these men did?
The writing
The dialogue is blunt and often profane. The action stays in the present day and in a single place, the shared house, so the outside world has to come to the men rather than the other way around.
The casting notes that come with the play compare Fred, the elderly former piano teacher, to Fred Rogers, whose first name he shares. The play is reported to have grown out of a news story from Joliet, Illinois, where officials planned to put a playground right next to a house where sex offenders lived, so that the residents would be forced out.
Before the play reached New York in 2022, Norris explained his aim in a public statement. Putting something on stage, he said, is not the same as approving of it, and he was not asking anyone to forgive the characters. What he wanted was to shake loose the quick and cruel judgment people tend to reach for when the subject comes up.
The cast is small, with eight speaking roles. The play also calls for police officers who never speak, and its casting notes assign those parts to the understudies.
The production
Pam MacKinnon staged the play in Chicago, London and Off-Broadway. For Broadway, Mantello starts over with a new design team: Scott Pask designs the house the men share, a job that went to Todd Rosenthal Off-Broadway.
As of October 2026, Francis Guinan plays Fred and K. Todd Freeman plays Dee; both are members of the Steppenwolf ensemble. Thomas Sadoski plays Andy and Cassie Beck plays Em; Beck has worked with Mantello before, in his Broadway production of The Humans. Al'Jaleel McGhee plays Gio, Adrian Martinez plays Felix, Liza Colón-Zayas plays the probation officer Ivy, and Ivy Wolk plays Effie.
As of October 2026, the police officers are played by Yadira Correa, Aubie Merrylees and Stephen Conrad Moore, who also understudy principal roles, as the play's casting notes require.
History
The world premiere opened at Steppenwolf in Chicago on September 20, 2018, and ran until November 18, 2018, under MacKinnon's direction. Steppenwolf is reported to have stepped up security during that run after receiving threats. The production traveled to the National Theatre in London in 2019.
New York first saw the play Off-Broadway at Playwrights Horizons, which presented the Steppenwolf and National Theatre production from October 28, 2022, to January 7, 2023. Freeman, Guinan, Glenn Davis, Tim Hopper and Eddie Torres repeated their roles, with Susanna Guzmán as Ivy, Sally Murphy as Em and Gabi Samels as Effie; Brian Hutchison also played Andy during the run.
That run also put the play at the center of a public fight. In November 2022, conservative voices online, including Senator Ted Cruz, accused the play and the critics who wrote about it of condoning pedophilia.
Studio Theatre in Washington, D.C., mounted a separate production in 2025, directed by David Muse. Theatrical Rights Worldwide publishes the acting edition and handles licensing for other theater companies.
Before any formal announcement, the Broadway run was already public: by August 26, 2026, the Chicago Tribune had reported it and the title was up on the Booth Theatre marquee. The producers confirmed the dates and casting on September 8, 2026. The first preview was originally scheduled for October 17, 2026, but illness in the cast pushed it back to October 19, 2026. Opening night was set for November 15, 2026.
The ending (spoilers)Contains spoilers. Tap to read
Andy comes back to the house to collect a phone he left behind and asks Fred to sign a written confession. Fred refuses, saying his memory of those years is hazy and that he has been punished enough already, including a beating he took in prison. When Andy keeps pressing, the other residents side with Fred and the argument turns into a fight. Afterward, Felix is found dead in his room; he has taken his own life.
Awards
Most of the play's honors come from its Off-Broadway run. In 2023 it won the New York Drama Critics' Circle Award for Best Play and the Outer Critics Circle Award for Outstanding New Off-Broadway Play. K. Todd Freeman won the Outer Critics Circle Award for Outstanding Featured Performer in an Off-Broadway Play and the Lucille Lortel Award for Outstanding Lead Performer in a Play. The production also drew nominations from the Lortel, Drama Desk and Drama League Awards, including Drama Desk nominations for both Freeman and Francis Guinan.
At the Obie Awards announced in January 2024, which covered the 2022–2023 season, Bruce Norris won for playwriting (shared with Hansol Jung for Wolf Play), Pam MacKinnon for sustained achievement in directing and Freeman for sustained achievement in performance. Earlier, the Chicago premiere is reported to have won two Joseph Jefferson Awards, for large-scale play production and for new work, along with a supporting acting prize for Freeman, and the London run was nominated for Best Play at the Evening Standard Theatre Awards in 2019. The Broadway production is expected to be eligible for the 2027 Tony Awards.
Drama Desk Awards: 2 nominations · Outer Critics Circle Awards: 2 wins from 6 nominations · Drama League Awards: 2 nominations · New York Drama Critics' Circle: 1 win from 1 nomination
| Year | Award | Category | Result |
|---|---|---|---|
| 2023 | Drama Desk Award | Outstanding Featured Performance in a PlayK. Todd Freeman | Nominated |
| 2023 | Drama Desk Award | Outstanding Featured Performance in a PlayFrancis Guinan | Nominated |
| 2023 | Outer Critics Circle Award | Outstanding Featured Performer in an Off-Broadway PlayK. Todd Freeman | Won |
| 2023 | Outer Critics Circle Award | Outstanding New Off-Broadway Play | Won |
| 2023 | Outer Critics Circle Award | Outstanding Director of a PlayPam MacKinnon | Nominated |
| 2023 | Outer Critics Circle Award | Outstanding Featured Performer in an Off-Broadway PlayGlenn Davis | Nominated |
| 2023 | Outer Critics Circle Award | Outstanding Featured Performer in an Off-Broadway PlayFrancis Guinan | Nominated |
| 2023 | Outer Critics Circle Award | Outstanding Featured Performer in an Off-Broadway PlaySusanna Guzmán | Nominated |
| 2023 | Drama League Award | Distinguished PerformanceK. Todd Freeman | Nominated |
| 2023 | Drama League Award | Outstanding Production of a Broadway or Off-Broadway Play | Nominated |
| 2023 | New York Drama Critics' Circle | Best Play | Won |
| 2023 | Lucille Lortel Award | Outstanding Lead Performer in a PlayK. Todd Freeman | Won |
Show all 18 awards and nominations
| Year | Award | Category | Result |
|---|---|---|---|
| 2023 | Lucille Lortel Award | Outstanding Featured Performer in a PlaySusanna Guzmán | Nominated |
| 2023 | Lucille Lortel Award | Outstanding Featured Performer in a PlayEddie Torres | Nominated |
| 2023 | Lucille Lortel Award | Outstanding Play | Nominated |
| 2024 | Obie Award | PlaywritingBruce Norris | Won |
| 2024 | Obie Award | Sustained Achievement in DirectingPam MacKinnon | Won |
| 2024 | Obie Award | Sustained Achievement in PerformanceK. Todd Freeman | Won |
Creative team & cast
Creative team
Bruce Norris is an American actor and playwright, born in 1960, with a long association with Steppenwolf Theatre Company. His Clybourne Park won the Pulitzer Prize for Drama in 2011 and the Tony Award for Best Play in 2012, and he is reported to be the first writer to collect the Pulitzer, the Tony for Best Play and London's Olivier Award for Best New Play. Among his other plays are A Parallelogram, The Qualms and The Pain and the Itch.
Joe Mantello directs. He has won three Tony Awards: Best Direction of a Play for Take Me Out in 2003 and for Death of a Salesman in 2026, and Best Direction of a Musical for Assassins in 2004. His other Broadway work includes the original production of Wicked in 2003 and The Humans in 2016.
The design team is Scott Pask (sets), Ann Roth (costumes), Heather Gilbert (lighting) and Mikaal Sulaiman (sound), with makeup design and hair by Katie Gell. Casting is by Taylor Williams.
Scott Rudin and Barry Diller produce. Rudin also produced Mantello's Death of a Salesman on Broadway in 2026, which won the Tony Award for Best Revival of a Play.
- Playwright
- Bruce Norris
- Director
- Joe Mantello
- Scenic Design
- Scott Pask
- Costume Design
- Ann Roth
- Lighting Design
- Heather Gilbert
- Sound Design
- Mikaal Sulaiman
More production credits (7)
- Casting
- Taylor Williams
- Makeup Design and Hair
- Katie Gell
- Production Stage Manager
- James Fitzsimmons
- Company Manager
- Mike McLinden
- General Management
- RCI Theatricals
- Technical Supervision
- Aurora Productions
- Producer
- Scott Rudin, Barry Diller
Cast
As of October 2026. Casts change during a run, and understudies may appear at any performance.
- Dee
- K. Todd Freeman
- Fred
- Francis Guinan
- Andy
- Thomas Sadoski
- Gio
- Al'Jaleel McGhee
- Em
- Cassie Beck
- Felix
- Adrian Martinez
- Effie
- Ivy Wolk
- Ivy
- Liza Colón-Zayas
- Cop
- Yadira Correa, Aubie Merrylees, Stephen Conrad Moore
Ensemble, swings and understudies (8)
- Ivy (understudy)
- Yadira Correa
- Fred (understudy)
- Nat DeWolf
- Felix (understudy)
- Richard R. Henry
- Andy (understudy)
- Aubie Merrylees
- Gio (understudy)
- Stephen Conrad Moore
- Dee (understudy)
- Stephen Conrad Moore
- Em (understudy)
- Ruby Westhoff
- Effie (understudy)
- Ruby Westhoff
Photo credits (5)
- Joe Mantello: Paul Marlow, Attribution
- Ann Roth: Bryan Berlin, CC BY-SA 4.0
- K. Todd Freeman: PhilipRomano, CC BY-SA 4.0
- Thomas Sadoski: Jesse Kornblum, CC BY-SA 4.0
- Ivy Wolk: Tessa Bury, CC BY 4.0
Theater
Booth Theatre
222 West 45th Street, New York, NY 10036
766 seats · opened 1913
The Booth Theatre is a compact Broadway house, built for plays that benefit from an audience close to the stage. It stands at 222 West 45th Street, beside Shubert Alley, and The Shubert Organization owns and operates it. In the 2010s it mostly booked straight plays.
Getting there
The entrance is at the 45th Street end of Shubert Alley, between Broadway and Eighth Avenue, on the stretch co-named George Abbott Way. No other block packs in more Broadway houses; the Shubert, Majestic, Broadhurst, John Golden, Bernard B. Jacobs and Gerald Schoenfeld all adjoin the Booth.
By subway, the Times Square-42nd Street complex to the south serves the 1, 2, 3, 7, N, Q, R, W and S, with an inside connection to 42nd Street-Port Authority Bus Terminal (A, C, E). To the north, 49th Street at Seventh Avenue has the N, R and W (Q late nights), and 50th Street at Eighth Avenue has the C and E (A late nights). Some lines skip late nights or weekends.
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Photo: Ajay Suresh, CC BY 2.0
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Before or after the show
- Museum of Broadway
- Hell's Kitchen food tour before the show
- Empire State Building observation deck
- SUMMIT One Vanderbilt
- Statue of Liberty and Ellis Island ferry
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